A fotografia de Eugène Cuvelier é um exemplo de como explorar o filtro natural proporcionado pelas névoas da manhã. A acentuação da forma planificada em silhueta é tanto mais notória à medida que os planos estão mais afastados do quadro do observador. Uma lição que fica de um fotógrafo que costumava trabalhar ao lado dos pintores impressionistas em Fontainebleu e com influências do paisagismo de Barbizon. As influências são notórias, pintores e fotógrafos partilhavam tertúlias e exploravam lado a lado as questões da linguagem visual.
Eugène Cuvelier's photograph is an example of how to exploit the natural filter provided by the morning mists. The accentuation of a planned fashion silhouette is all the more remarkable as the plans are furthest from the observer's frame. One lesson that remains from a photographer who used to work alongside the impressionist painters at Fontainebleau with Barbizon landscape influences. The influences are evident, painters and photographers shared gatherings and operated side by side the issues of visual language.
Eugène Cuvelier's photograph is an example of how to exploit the natural filter provided by the morning mists. The accentuation of a planned fashion silhouette is all the more remarkable as the plans are furthest from the observer's frame. One lesson that remains from a photographer who used to work alongside the impressionist painters at Fontainebleau with Barbizon landscape influences. The influences are evident, painters and photographers shared gatherings and operated side by side the issues of visual language.
Sem comentários:
Enviar um comentário